Le rituel du deuil partagé dans Douleur exquise de Sophie Calle = El ritual del duelo compartido...

Registro bibliográfico

  • Título: Le rituel du deuil partagé dans Douleur exquise de Sophie Calle = El ritual del duelo compartido en Dolor exquisito de Sophie Calle
  • Autor: Serrano Morales, Camilo Andrés
  • Publicación original: 2019
  • Descripción física: PDF
  • Nota general:
    • Colombia
  • Notas de reproducción original: Digitalización realizada por la Biblioteca Virtual del Banco de la República (Colombia)
  • Notas:
    • Resumen: Abstract: Born in 1953 in Paris, Sophie Calle is a French artist who has exhibited extensively throughout the world since the late 1970s. She has been described as a conceptual artist, a photographer, a movie director or even detective; her work has a very recognizable shape that includes altering the means of expression. Douleur exquise narrates the break-up of a love affair the artist went through in 1984. Where the artist decides to begin a journey to alleviate her suffering, the work contrasts Sophie Calle’s own feelings with anonymous people’s answers to the question “Which was the day when I suffered the most?”. Towards her own recovering, she develops a very intricate ritual which fades away as her texts darken to the point of completely disappearing, symbolising a return to life. Our analysis is divided in three specific parts that aim to understand the process in which the artist can overcome her grief by comparing her own suffering to the others’ in the context of a ritual. The book concretizes the result of the shared exercise that explores the possibilities of literature from different angles, that we analyze under two types of interaction with respect to the ritual: it appears from the fact of having relativized collective mourning from a structure that will be reviewed in this work. To this end, it was necessary to analyze the way in which the two stories interact (that of Calle and that of the interrogated ones) by finding the peculiarities of the result: a possible structure and the elements involved, considering always that it concerns a collective exercise that pushes the boundaries between the personal and the public.
    • © Derechos reservados del autor
    • Colfuturo
  • Forma/género: tesis
  • Idioma: castellano
  • Institución origen: Biblioteca Virtual del Banco de la República
  • Encabezamiento de materia:

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